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By Sarah McCullom
as published in the Del Ray Sun, July 20, 2006
What is there about porcelain that makes
us love it so much? Along with silver we take it out for company and
dress our table with it. We use our special china at holidays –
perhaps the fancy china that was our grandmother’s or mothers.
We wash it by hand to insure it doesn’t break – or because
the gold decoration can not stand up to the harsh treatment of the dishwasher.
It has a special place in our homes. It is one of the things that makes
memories – can you not remember using it on special occasions
at your grandmother’s?
So what is porcelain, and where did it come from? Porcelain
was first made in China, possibly as long ago as the Tang dynasty (618-907)
– thus the name china. It is characterized by whiteness, delicacy
and translucence. Porcelain is different from other ceramics by the
process to make it. Earthenware and stoneware are made from single natural
clay and then fired. Neither are white, or translucent.
Porcelain is made from two ingredients, kaolin and
petuntse. The ground up mixture is fired at very high temperatures (2280F
to 2640F) At this temperature the petuntse melts, forms a nonporous
glass, but the kaolin does not, and holds the item’s shape. There
are basically three types of porcelain: hard paste; soft paste and bone
china.
Hard paste porcelain is the type described above,
first made in China. The hot temperatures used to fire it cause the
body and the glaze to become one. When it is broken, it is impossible
to distinguish the body from the glaze.
Soft paste porcelain was developed in Europe
to try to imitate Chinese hard paste. It is a mixture of fine clay and
glass. They are fired at a lower temperature than hard paste, so it
remains somewhat porous. When it is broken, there is a grainy body covered
by a glassy layer of glaze.
Bone china is made by adding bone ash to kaolin
and petuntse, and was developed by English porcelain makers in 1750.
Most bone china is still made in England. It is not as hard as hard
paste, but more durable than soft paste. In addition, the bone ash greatly
increases the translucence of the porcelain.
As was mentioned above, China was the first to make
porcelain. As trade was developed between the Orient and Europe, porcelain
became popular with the public. While European manufacturers tried to
make it themselves, an increasing amount was imported into Europe from
China. By 1800, it is estimated that more than 60 million pieces had
been exported to Europe.
Soft paste porcelain was first produced in Vincennes,
France in 1738. By 1756 the factory was moved to the town of Sevres.
Its famous soft paste porcelain came to be known by the same name. Sevres
porcelain is very valuable and collectible today. By 1771, a hard paste
porcelain industry was developed near Limoge. Limoge is still a center
for porcelain making. David Haviland, an American, is a well known maker
who opened a factory at Limoge in 1842, and made tableware for the American
market. Haviland china is still available today in many patterns.
In Germany, hard paste porcelain was first made in
1709 in a factory near Meissen, a small town near Dresden. There are
many factories in and around Dresden, the most famous of course is the
Meissen factory. For nearly a century the porcelain made in this location
was the finest in Europe.
England is best known for the development of bone china.
Worcester porcelain, first made in 1751, is one of the oldest and best
English porcelains. In 1800 Josiah Spode developed bone china paste
that became the standard for English bone china. It should be pointed
out that Wedgewood ware is not porcelain, but earthenware or stoneware.
Today, modern techniques allow us to make porcelain
in large quantities. Extensive porcelain making is done is the U.S.,
Europe and Japan. Today’s examples include Lenox, Rosenthall and
Noritake.
Sarah McCullom is the owner of Hidden Treasure Appraisals, a business
providing appraisals for antiques, fine and decorative arts. She is
a resident of Alexandria where her business is also located. Sarah holds
a Certificate in Appraisal Studies and Connoisseurship in Fine and Decorative
Arts from George Washington University. She has passed the USPAP and
ASA ethics and accreditation exams. You can reach her at ssmccullom@hotmail.com
or at 703-370-2887.
copyright Del Ray Sun 2006
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